Salve a tutti, dopo un pò di inattività, dovuta a impegni estivi, ritorno sul debaser stavolta presentandovi un cd che mi ha tenuto occupato per tutte le vacanze.

Sto parlando della raccolta dei migliori successi degli Omd, tale "The best of", che ora ascolto infinite volte al giorno e che reputo come uno dei migliori best of della mia collezione. Si parla degli "Orchestral Manoeuvres in the Dark" gruppo di gran successo negli anni 80. Sex Pistols, Bauhaus e altri negli anni 70 innalzarono il punk come un genere fortemente ribelle e pieno di significati che spaziavano dalle lotte sociali al rifiuto della società, il punk ebbe la sua fine? Sebbene tutt'oggi è facile conoscere gruppi punk attuali, si può dire che nella lunga linea storica della musica, un genere denominato "New Wave" ebbe lo scopo di afferrare il punk e trasportarlo verso i canoni pop, tramite l'elettronica, con lo scopo di generare una nuova evoluzione del punk negli anni 80, che sebbene durò molto poco, fù un periodo importante prima di tutto perchè fù stracolmo di band, e poi perchè era il cosidetto post-punk. La New Wave è quindi il punk elettronico, e le tastiere che in un qualche modo simboleggiano l'evento dell'inserimento della musica verso ambiti futuristici, diventano uno strumento necessario, basta pensare ai più famosi Depeche Mode che un tempo erano solo sintetizzatoristi, o meglio synth-rockers.

Proprio queste considerazioni, fecero si che la New Wave intesa come corrente musicale si distaccasse completamente dal suo obiettivo di ripresa punk, diventando un genere a parte, fine a se stesso e comprendente tutti quei musicisti che facevano musica elettronica, digitale, futiristica e innovativa. In un periodo compreso tra l'81 e l'84, l'emmittente MTV trasmetteva ore e ore di questa musica, quasi per promuoverne lo sviluppo e la consistenza. la New Wave è però ancora oggi considerata come una corrente intermediaria, mai ben affermata, ma solo compresa tra appunto il punk, e il rock underground che si formò quando gli artisti raggiunsero risultati musicali diversi ambientando il loro stile verso un rock più sostenuto, come nel caso degli Smiths. All'interno del periodo New Wave, vari artisti come Ultravox, i già citati Dm, e non ultimi i Nostri OMD creavano il synth-pop, il quale sottogenere era sperimentale già da parecchi anni prima, come la creazione di una musica pop\rock digitale e che in questo periodo ebbe la massima opportunità di svilupparsi e affermarsi.

Oggi, un pò superficialmente eticchettiamo con SynthPop tutta la musica anni 80, in cui il pop era sintetizzato e ballabile, progetto generato dai Kraftwerk ma ripreso in parte dai Duran Duran i quali inventarono il termine New Romantic. Oggi conosciamo gli Omd soprattutto per una canzone, "Enola Gay", il singolo più venduto nel 1981 e ancora oggi parecchio trasmesso dalle radio. L'Enola Gay era il nome del bombardiere strategico B-29 Superfortress che sganciò la prima bomba atomica sulla città giapponese di Hiroshima, battezzato dal pilota con il nome di sua madre, ed è sorprendente come una canzone così famosa per la sua melodia ballabile e giocosa, con i suoi ritmi discotecari e psichedelici, ancora oggi trasmessa dagli animatori turistici possa in realtà descrivere una condizione psicologica mostruosa in aria ironica. "Enola Gay, sei l’ orgoglio di una mamma nei confronti di suo figlio, oggi, Oh, questo bacio che hai dato non svanirà mai più. ".

Stile fondamentale, nonchè affascinante e assoluto degli omd, era quello di inserire venautre malinconiche all'interno dei giochetti digitali, è infatti riconoscibile in ogni canzone una certa dose di tristezza infilata dentro la melodia ballabile, ed è questo quello che amo degli Omd, loro creano una musica spirituale, psichedelica in un certo senso, una musica non affatto banale come lo è molta House dei nostri giorni, ma nello stesso tempo danzabile ed energica. Con gli Omd nelle orecchie affronti dei viaggi, dei tuffi all'interno dei sentimenti e delle emozioni umane, con dei suoni puliti e geniali pur essendo prodotti negli anni 80. Abbiamo quindi a che fare con ballate melodiche e sentimentali, raffinate ed espressive di puro decadentismo esistenziale. McCluskey e Paul Humphreys, due sole persone partoritrici di un genere musicale affascinante e mistico, qui riassunto in una fantastica raccolta che non riesco mai di smettere d'ascoltare. Un altro successone degli Omd fù Electicity, la prima traccia delle diciotto qui proposte, famosa soprattutto per il suo ritmo di forte matrice dance.

Ogni canzone è una piccola perla, ogni canzone ha il suo ritmo che prende e fà sognare, tra tutte consiglio "Sounvenir" dal sound misterioso e spirituale e dal ritmo lento e cadenziato, "Maid Of Orleans" la quale è forse la più drammatica di tutte, "telegraph" dalle ottime sonorità fluidi e tipiche del pop futurista, "So in Love" per la sua melodia accattivante e stesso discorso vale per "Secret" tra le mie preferite.

Apro una piccola campagna di sensibilizzazione sulla synthpop, genere oggi tutt'altro che commerciale, e oserei dire sempre più sconosciuto, segnalandovi questo stupendo sito internet: http://spazioinwind.libero.it/electropolis/index.html

Elenco tracce testi samples e video

01   Electricity ()

Our one source of energy
The ultimate discovery
Electric blue for me
Never more to be free
Electricity
Nuclear and HEP
Carbon fuels from the sea
Wasted electricity

Our one source of energy
Electricity
All we need to live today
A gift for man to throw away
The chance to change has nearly gone
The alternative is only one
The final source of energy
Solar electricity

Electricity
Electricity
Electricity
Electricity
Electricity
E . . .

02   Messages ()

It worries me this kind of thing
How you hope to live alone
And occupy your waking hours
We're taking sides again
I just wept I couldn't understand
Why you started this again

And every day you send me more
It makes it worse is this a plan of yours
To ensure I don't forget
I'd write and tell you that I've burnt them all
But you never send me your address
And I've, I've kept them anyway

So don't ask me if I think it's true
That communication can bring hope to those
Who have gone their separate ways
It hardly touched me when it should have then
But memories are uncertain friends
When recalled by messages

Coded messages
Poison letters

03   Enola Gay ()

Enola Gay
You should have stayed at home yesterday
Ah-ha words can't describe
The feeling and the way you lied

These games you play
They're going to end in more than tears some day
Ah-ha Enola Gay
It shouldn't ever have to end this way

It's eight fifteen
And that's the time that it's always been
We got your message on the radio
Conditions normal and you're coming home

Enola Gay
Is mother proud of little boy today
Ah-ha this kiss you give
It's never going to fade away

Enola Gay
It shouldn't ever have to end this way
Ah-ha Enola Gay
It shouldn't fade in our dreams away

It's eight fifteen
And that's the time that it's always been
We got your message on the radio
Conditions normal and you're coming home

Enola Gay
s mother proud of little boy today
Ah-ha this kiss you give
It's never ever going to fade away

04   Souvenir ()

00:00
00:00

It's my direction
It's my proposal
It's so hard
It's leading me astray

My obsession
It's my creation
You'll understand
It's not important now

All I need is
Co-ordination
I can't imagine
My destination
My intention
Ask my opinion
But no excuse
My feelings still remain

My feelings still remain

05   Joan of Arc ()

00:00
00:00

A little Catholic girl who's fallen in love
A face on a page, a gift from above
She should have known better than to give her heart
She should have know better than to ever part

Without me
Without me

I gave her everything that I ever owned
I think she understood but she never spoke
She shouldn't ought to try to be that way
She shouldn't have to go there ever again

Without me
Without me

Now listen to us good and listen well
Listen to us all and everything we tell
We should have known better than to give her away
We should have know better to this very day

Without me
Without me

Now listen Joan of Arc
All you have to do
Is say the right words and I'll be coming through
Hold you in my arms and take you right away

Now she's on her way to another land
We never understood why she gave her hand
She shouldn't ought to promise because it's just pretend
I know she doesn't mean it and she'll leave again

Without me
Without me
Without me
Without me

06   Maid of Orleans ()

00:00
00:00

If Joan of Arc
Had a heart
Would she give it as a gift

To such as me
Who longs to see
How an angel ought to be

She seems to give
Her heart away
Like an orphan on the wain

She cared so much
She offered up
Her body to the flames

07   Telegraph ()

I've got a telegraph
In my hand
Words on paper
Written in sand

We've got telegraph (we've got telegraph)
Right across this land (all across this land)
It doesn't mean a damn thing
We don't understand
But who needs telegraph anyway?

I've got a telegraph (I've got a telegraph)
In my hand (in my hand)
Words on paper (words on paper)
Written in sand (written in sand)

We've got telegraph (we've got telegraph)
Right across this land (all across this land)
It doesn't mean a damn thing (it doesn't mean a thing)
We don't understand (we never understand)

God's got telegraph
On his side (on his side)
It makes him powerful
Gives him pride (gives him pride)
Even in America (God bless America)
They understand (they understand)
The value of telegraph (the value of telegraph)
Hand in hand (hand in hand)

08   Tesla Girls ()

NO NO NO
Tesla Girls Tesla Girls
Testing out theories
Electric Chairs and dynamos
Dressed to kill They’re killing me
But Heaven knows their recipe

NO NO NO

You wouldn’t believe me if I said
The things I’ve seen went over my head
I’ve been patient Heaven knows
I’ve learnt the rules and how it goes
I can’t sit still or settle down
And when I walk I don’t touch the ground
See those girls they’re Heaven blessed
I guess it’s so they know best

Tesla Girls Tesla Girls
Writing in their diaries
Now and then they’ll watch TV
Now and then they’ll speak to me
But Heaven knows their recipe

NO NO NO

You wouldn’t believe them if they said
The things they’ve seen went over their heads
They’ve been patient Heaven knows
They seem to care and so it goes
They can’t sit still or settle down
And when they walk they don’t touch the ground
See those girls they’re Heaven blessed
I guess it’s so they know best

Tesla Girls
Tesla Girls
Tesla Girls
Tesla Girls

Tesla Girls Tesla Girls
Testing out theories
Electric chairs and dynamos
Dressed to kill they’re killing me

Tesla Girls Tesla girls
I’m in love with Tesla Girls
Now and then they’ll watch TV
Now and then they’ll speak to me
But heaven knows their recipe

NO NO NO

09   Sailing on the Seven Seas ()

You say that love will capture me
But not unless you give it free
We're sailing on the seven seas
Sister Ray is on TV
The light of love that shines so bright
That the F.B.I won't sleep tonight

Because I'm so in awe of you
That I don't know what to do
And I'm sailing on the seven seas so blue

Sick and tired and I don't know why
Skin and bone won't touch the sky
Sex and lies can't bring me down
Because I've sold my soul all over town

Because I'm so in awe of you
That I don't know what to do
And I'm sailing on the seven seas so blue

People try and drag us down
So we learn to swim before we drown

Because I'm so in awe of you
That I don't know what to do
And I'm sailing on the seven seas so blue

And I’m so in awe of you
That I don't know what to do
And I'm sailing on
The seven seas so blue

10   Locomotion ()

00:00
00:00

Crossing every ocean for the sake of Locomotion
Crossing every ocean for the sake of Locomotion

Across every ocean
For the sake of Locomotion
But I wouldn’t have a notion
How to save my soul
I walk down the sidewalk
Run down the boardwalk
Stop and make small talk
But I can’t say no to you

I can’t say no I can’t say yes
I can’t even write down my own address
I can’t touch Heaven it’s a little too far
It’s the only way to travel
Got dreaming on a par
I’m staring through the window
Wondering where you are
Moving through the landscape at a million miles an hour

Across every nation
From the harbour to the station
It’s a form of inspiration
It’s a power to the state
They run down the railways
Sail across the seaways
Fly through the airways
But they can’t say no
To you

I can’t stand up I can’t stand still
I know you wouldn’t like it if I told you how I feel
I just want to say that it’s only common sense
But the words always fail me at my own expense
I’m staring out the window
Wonder where you are
Moving through the landscape at a million miles an hour

Across every ocean
For the sake of Locomotion
But I wouldn’t have a notion
How to save my soul
I walk down the sidewalk
Run down the boardwalk
Stop and make small talk
But I can’t say no to you

11   Pandora's Box ()

Born in Kansas
On an ordinary plain
Ran to New York
But ran away from fame
Only seventeen
When all your dreams came true
But all you wanted
Was someone to undress you

And all the stars you kissed
Could never ease the pain
Still the grace remains
The face has changed
And you're still the same

And it's a long long way
From where you want to be
And it's a long long road
But you're too blind to see

Frame of silence
Of an innocence divine
Is a dangerous creation
When you fail the test of time

And all the photographs
Of ghosts of long ago
Still they hurt you so
Won't let you go
And you still don't know

And it's a long long way
From where you want to be
And it's a long long road
But you're too blind to see

When you look around yourself now
Do you recognize the girl
The one who broke a thousand hearts
Terrified the world

And all the stars you kissed
Could never ease the pain
And if the face has changed
The grace remains
And you're still the same

And it's a long long way
From where you want to be
And it's a long long road
But you're too blind to see

And it's a long long way
From where you want to be
And it's a long long road
And you're too blind to see

And it's a long long way
From where you want to be
And it's a long long road
And you're too blind to see

And it's a long long way...

12   Talking Loud and Clear ()

00:00
00:00

Talking loud and clear
Saying just what we feel
Lying in the grass
With the sun on our backs
It doesn’t really matter
What we do or what we say
With every little movement
We give ourselves away

Opposite and opposite
Decisions are reversed
Facing one another
With words that couldn’t hurt
With every little word
You’re getting closer to me
Talking loud and clear
Saying just what you feel today

Talking loud and clear
Saying just what we feel
Lying in the grass
We’ve got time on our hands
Body next to body
With silence all around
We understand each other
But didn’t make a sound

Promises and promises
Of vows we shall return
Facing one another
I thought my heart would burn
You turn to move away
But then get closer to me
Talking loud and clear
Saying just what you feel today

13   So in Love ()

00:00
00:00

Talk to me, don't lie to me
Save your breath

Don't look at me, don't smile at me
Just close your eyes

I was so impressed by you
I was running blind
I would fall for every trick
Every twist of mind

Heaven is cold
Without any soul
It's hard to believe
I was so in love with you

Don't say your prayers, don't build your hopes
Just walk away

Don't phone me up, don't call around
Don't waste your time

You were so in awe of me
You were so divine
You would do just anything
To still be mine

Heaven is cold
Without any soul
It's hard to believe
I was so in love with you

All the things you said to me
I was so obsessed
You were always talking talking
God I did my best

Heaven is cold
Without any soul
It's hard to believe
I was so in love with you
Etc....

14   Secret ()

00:00
00:00

Secret.
Secret.

I've got a secret and I can't explain
all the time I've waited for this day
all along I was never in doubt
I've always knew it could ever get out
There are things that I cannot tell
and there are things that you know damn well
This is getting very hard for me
I guess you'd better just wait and see

Shut up!
This is all
This is all
secret.

You brought a message and the message was clear
all the time you wipe away that tear
all I want is to hold your hand
to see the sun and walk the sand
You make me sad as you make me glad
And now you see all my secret is is love (is love...)

Everyday I'm always there
you can't fight me
and make me feel it's worth my while
and then I look around and you're not there
and every day you say you can't hang out beware

Secret.
This is all
This is all
secret.

I got a secret and I can't explain
.. is this all
All I want is to hold your hand
.. is this all
All along I was never in doubt
.. is this all
To see the sun and to walk the sand
.. is this all Secret
(fade)
I got a secret and I can't explain
All I want is to hold your hand

15   If You Leave ()

00:00
00:00

If you leave, don’t leave now
Please don’t take my heart away
Promise me, just one more night
Then we’ll go our separate ways
We’ve always had time on our side
Now it’s fading fast
Every second, every moment
We’ve gotta make it last

I touch you once, I touch you twice
I won’t let go at any price
I need you now like I need you then
You always said we'd still be friends someday

If you leave I won't cry
I won't waste a single day
But if you leave don't look back
I'll be running the other way
Seven years went under the bridge
Like time was standing still
Heaven knows what happens now
You’ve gotta say you will

I'll touch you once, I'll touch you twice
I won't let go at any price
I need you now like I need you then
You always said we'd meet again someday

I touch you once, I touch you twice
I won’t let go at any price
I need you now like I need you then
You always said we’d meet again someday

If you leave
If you leave
Don’t look back
Don’t look back

16   Forever Live and Die ()

17   Dreaming ()

00:00
00:00

If you were born in heaven girl
I'd understand so well
But ever since I've met you child
You've made my life such hell
With every day that passes
I fall nearer to the ground
It seems that I've been looking for
Something that won't be found

I was only Dreaming
I was only trying to catch your eye
I was only wishing you would notice me
Instead you said goodbye

Could this be the new answer then
To all the dreams we've made
Could there be some solution please
To rid me of this grace
But every single second that you held me in your arms
You build me up
You raise me up
You kill me with your charms

I was only Dreaming
I was only trying to catch your eye
I was only wishing you would notice me
Instead you said goodbye

Would you stay with me tonight
Won't you make these feelings last
Can we start this all again
Would that be just to much to ask

I was only Dreaming
I was only trying to catch your eye
I was only wishing you would notice me
Instead you said goodbye...

18   Genetic Engineering ()

Efficient, logical, effective, and practical
Using all resources to the best of our ability
Changing, designing, adapting our mentalities
Improving our abilities for a better way of life

Babies Mother Hospital Scissors
Creature Judgement Butcher Engineer

These are the little children
The future in our hands
When all God's children on this Earth
Inherit all our plans
These are the lies they tell us
But this is the only way
When all God's children on the Earth
Will ever more be saved

Babies Mother Hospital Scissors
Creature Judgement Butcher Engineer

Babies Mother Hospital Scissors
Creature Judgement Butcher Engineer

These are the little children
The future's in their hands
When all God's children on this Earth
Inherit all our plans
These are the lies they tell us
The future's good as sold
In all the things we say and do
We really must be bold

19   La Femme Accident (12" version) ()

20   Call My Name ()

I've seen a new sensation
I heard you call in pain
But running round in circles
Won't make it right again
The telephone keeps ringing
Your head is in the sand
The future is unfolding
But it's not what you had planned

No matter what you do
There's no escape for you
You say we go too far
You say I'll take my car

So it always ends the same
There's no one else to blame
But I'd die
If you would call my name

Caught between two evils
You should have stayed at home
To wish upon and walk upon
A planet of your own

No matter what you do
There's no escape for you
You say we go too far
You say I'll take my car

So it always ends the same
There's no one else to blame
But I'd die
If you would call my name

Yes I'd die
If you would call my name

No matter what you do
There's no escape for you
You say we go too far
You say I'll take my car

So it always ends the same
There's no one else to blame
But I'd die
If you would call my name

Oh yes I'd die
If you would call my name

21   Dream of Me ()

22   Walking on the Milky Way ()

When I was only seventeen
My head was full of brilliant dreams
My heart would call and I would gladly go
At twenty one the world was mine
And I was yours and you're divine
And nothing else would matter to us so
I don't believe in destiny
I don't believe in love
I don't believe that anything will ever be enough...

Man you should have seen us
On the way to Venus
Walking on the milky way
It was quite a day hey hey...
Walking on the big stuff
Acting like we're real tough
Baby we were on our way
So what do you say hey hey.

As time goes by reality
Destroys your hope and dignity
There's nothing left but shadows on the wall
But just remember who you are
And where you've been you've come so far
And never ever let them see you fall
I don't believe in miracles
I don't believe in truth
I don't believe that anything can recreate your youth

Man you should have seen us
On the way to Venus
Walking on the milky way
It was quite a day hey hey...
Walking on the big stuff
Acting like we're real tough
Baby we were on our way
So what do you say hey hey

Man you should have seen us
On the way to Venus
Walking on the milky way
It was quite a day hey hey...
Walking on the big stuff
Acting like we're real tough
Baby we were on our way
So what do you say hey hey

Man it's you to seen us this way we runaway with yuo (x3)


  • DanteCruciani
    14 set 06
    Recensione: Opera:
    sì, ok, non posso negare che il synth-pop abbia il suo lato evocativo e molto attrattivo, e poi diciamolo: ma a chi non piace sentire codeste musichelle?.....io di loro conosco solo la buona vecchia enola gay, ma comunque è una buona segnalazione fabbiu, anche se io sono sempre per il disco e non il best of. Tuttavia per questi artisti è meglio la seconda, forse.....
  • Fidia
    14 set 06
    Recensione: Opera:
    "Sex Pistols, Bauhaus e altri negli anni 70 innalzarono il punk come un genere fortemente ribelle e pieno di significati che spaziavano dalle lotte sociali al rifiuto della società".
    Fabbiu, hai scritto tre grosse inesattezze in questa frase.
    La prima è stata quella di menzionare i Pistols e i Bauhaus insieme, due bands che non hanno nulla a che fare tra di loro. Ma proprio nulla di nulla, assolutamente.
    La seconda che i Bauhaus hanno sì qualcosa di punk nelle musiche (non il punk stile sex pistols comunque), soprattutto nel primo album, ma per l'immagine e i testi non c'entrano una mazza col punk, ma proprio niente di niente. I Bauhaus sono teatrali, orrorifici, plateali, gotici, dark.
    Insomma niente a che vedere col punk di "God Save the Queen" e derivati.
    Terza cosa, è che i Bauhaus non sono per niente anni 70, ma 80.
    Il debut "in The Flat Fields" è del 1980.
    L'ultimo "Burning From the Inside" è, se non erro, del 1983.
    Scusami Fabbiu, ma erano precisazione che si dovevano fare, altrimenti qualcuno che non sa chi siano i Bauhaus poteva pensare che fossero paragonabili a gente come Pistols, Clash, Stiff Little Fingers, Buzzcocks e compagnia bella e ciò non corrisponde asssolutamente a verità. Saluti
  • geenoo
    14 set 06
    Recensione: Opera:
    Bè "ogni canzone è una perla" è un pò troppo! Però Enola Gay per tutta la vita...
  • lexus
    14 set 06
    Recensione: Opera:
    ottima argomentazione, fidia, i bauhaus non c'entrano un cazzo con i Pistols, magari hanno più similitudini con i public image di rotten,in quel caso detto lyndon
  • Qzerty
    14 set 06
    Recensione: Opera:
    Bravo, recensione onesta, anche se l'analisi storica sulla new wave che hai fatto all'inizio è un pò imprecisa. Gruppo famoso per l'odiosissimo singolo da te citato ma che ha composto fin dai primordi del pop elettronico delle vere e propire perle. Da ripescare. Interessante anche il link che hai postato.
  • MGM
    14 set 06
    Recensione: Opera:
    Enola Gay ha fatto ballare una generazione (forse anche di più) l'attacco assomiglia in modo sconvolgente a IL LUNGO ADDIO di Faust'o a sua volta ripreso da HIROSHIMA MON AMOUR dei ULTRAVOX, quindi le belle cose vengono tutte più o meno scopiazzate da tutti. comunque il disco è bello.
  • fabbiu
    14 set 06
    Recensione: Opera:
    caro fidia, scusami ma non ho idea di chi siano i Bauhaus, però li ho menzionati per sbaglio nel cercare di rintracciare le origini della new wave e citando quindi il punk anni '70, forse per qualche "sbagliata" informazione ripescata da internet.
  • MGM
    14 set 06
    Recensione: Opera:
    e pero magari informarsi un po meglio
  • Breathing
    14 set 06
    Recensione: Opera:
    Bello. Bravi. Bello. Bravi. Bello. Bravi. Bello. Bravi.
  • Breathing
    14 set 06
    Recensione: Opera:
    "La New Wave è punk elettronico" però è una cazzata. Il punk elettronico si chiama EBM ed è solo una faccia dell'immensa New Wave, che comprende anche il post punk.
  • Qzerty
    14 set 06
    Recensione: Opera:
    IL punk elettronico si chiama EBM? Non mi pare proprio, dove l'hai letta questa?
  • Recensione: Opera:
    Ma ovviamente, nell'enciclopedia Poletti. E dove, se no?
  • trellheim
    14 set 06
    Recensione: Opera:
    ma è meglio l'enciclopedia poletti o wikipedia?
  • Recensione: Opera:
    Io li batto tutti con la mia terza media (e yo!)
  • pretazzo
    14 set 06
    Recensione: Opera:
    Mah...La rece e' fatta davvero bene, ma il discorso sulla new wave mi lascia assai perplesso...Il synth-pop non e' che una delle tante correnti della new wave...Cmq, non e' decisamente il mio genere: gli dedico un'ora all'anno...proprio oggi ho ripescato il best degli Ultravox e credo davvero che mi bastera' per i prossimi 365 giorni. :-D
  • Qzerty
    15 set 06
    Recensione: Opera:
    Oggi sono andato dal mio edicolante di fiducia e gli ho chiesto il primo fascicolo dell'enciclopedia Poletti. Con la prima uscita in regalo un paio di pratici occhiali a raggi x!
  • Recensione: Opera:
    Bellissima questa!
  • sylvian1982
    27 nov 06
    Recensione: Opera:
    Sinceramente mi aspettavo qualcosa di più da questo disco. Eccetto Enola Gay, conosco soltanto altre due canzoni fra le diciotto qui presenti. E anche qui pensavo di averne sentite, anche di sfuggita, qualcuna in più. Disco onesto, senza troppe pretese che però mi rivaluta, ebbene si, il best degli Human League, tanto per rimanere nel synth-pop inizio anni ottanta.

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Vedi anche
Krisma

Clandestine Anticipation

The Cure

10.15 Saturday Night

Suicide

A Way of Life

Precedente
Swarm Of The Lotus

The Sirens Of Silence

Successiva
Mithras

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