Carnegie Hall, New York, 26 Ottobre, 1963
Sfido chiunque, e dico chiunque, a dire che questo Live non è un capolavoro. Dylan è brillante, ispirato, commovente. Incredibilmente elettrico ancor prima di attaccare la spina. Questo Live rappresenta la perfezione spontanea non cercata. La naturalezza più complessa di sempre (Si, quando si parla di Dylan è possibile).
Probabilmente state pensando che sono un fanatico, drogato di Dylan fin sopra ai capelli. Pensatelo pure.
Prima di parlare del concerto vero e proprio è necessario parlare dell'origine della registrazione:
Nel 2005 la Columbia Records ha pubblicato, a più di 40 anni di distanza dalla registrazione, un disco live di 6 tracce: "Live at Carnegie Hall 1963". Questa pubblicazione ufficiale è assolutamente insoddisfacente e mancante se consideriamo che i brani eseguiti realmente durante il concerto sono 19. Fino a prova contraria tra 6 e 19 c'è una bella differenza. E come se non bastasse la scelta dei brani è, a mio avviso, discutibilissima.
Il concerto fu registrato, nel lontano 1963, in vista di una possibile pubblicazione ufficiale e sarebbe stato il primo disco live di Dylan. Ma il progetto fu messo da parte e non se ne parlo più. I motivi possono essere diversi:
è necessario dire che Dylan allora era un fiume in piena, un animo inquieto in continua evoluzione sia dal punto di vista personale che da quello compositivo; si stava evolvendo cosi velocemente che non ci fu il tempo di programmare l'uscita del disco. Superava se stesso con una rapidità incredibile ed era cominciata quella folle corsa che lo porterà all'esaurimento nel 1966.
La morte di Kennedy, un mese dopo il concerto, fece tremare l'America intera. E anche Dylan fu scosso da turbamenti e paure. Gli amici lo ricordano sconvolto e impaurito; Preoccupato addirittura per la sua stessa vita. Ma probabilmente nemmeno lui sa con esattezza cosa passo per la sua testa in quei momenti di confusione e panico.
Come se non bastasse Dylan ha sempre cambiato idea all'ultimo momento per quanto riguarda le pubblicazioni di Album e la scelta delle canzoni in essi contenute. L'ha sempre fatto, e ne ha tutto il diritto.
Per questi e chissà quali altri motivi il Live non venne mai pubblicato.
Quindi è importante dire che "Unravelled Tales" non è un disco ufficiale. Si tratta invece di una pubblicazione pirata, un Bootleg uscito nel Giugno del 2008. Una pubblicazione meravigliosa che supera notevolmente quella ufficiale del 2005. In confronto il dischetto della Columbia Records sembra una presa in giro.
Dopo questa introduzione posso finalmente parlarvi del concerto vero e proprio.
La serata fu un trionfo. Fece registrare il tutto esaurito e lo consacrò una Star della musica. Sembra di vederlo. Dylan è incandescente e profetico. Commovente e ironico. Tra una canzone e l'altra parla, racconta, diverte. Si dimostra un vero mostro da palcoscenico e il pubblico rimane incantato dalla figura quasi magica che si muove indomabile sul palco. Le parole escono fluide passando per le labbra screpolate dalle continue sigarette. Parole che rimangono quasi sospese per aria dopo che vengono pronunciate, poi lentamente si spostano per fare spazio alle altre e si posano sul pubblico ipnotizzato.
È uno dei più bei concerti di sempre. Non posso aggiungere altro. Potrei parlarvi delle canzoni. Potrei raccontarvele una per una. Potrei elencarvi i momenti più alti del concerto; Ma sarebbe inutile. Non posso raccontare la bellezza a parole. E tanto meno raccontare la bellezza delle parole. Non posso e sarebbe ridicolo provarci.
Trackslist:
Disc one
The Times (1)
Ballad Of Hollis Brown
Who Killed Davey Moore?
Boots Of Spanish Leather
Talking John Birch Paranoid Blues
Lay Down Your Weary Tune
Blowin' In The Wind
Percy's Song
Seven Curses
Walls Of Red Wing
Disc two
North Country Blues
A Hard Rain's A Gonna Fall
Talking World War III Blues
Don't Think Twice It's All Right
With God On Our Side
Only A Pawn In Their Game
Masters Of War
Lonesome Death Of Hattie Carroll
When The Ship Comes In
Elenco tracce e testi
01 With God on Our Side (07:35)
Oh my name it is nothin'
My age it means less
The country I come from
Is called the Midwest
I's taught and brought up there
The laws to abide
And that land that I live in
Has God on its side.
Oh the history books tell it
They tell it so well
The cavalries charged
The Indians fell
The cavalries charged
The Indians died
Oh the country was young
With God on its side.
Oh the Spanish-American
War had its day
And the Civil War too
Was soon laid away
And the names of the heroes
I's made to memorize
With guns in their hands
And God on their side.
Oh the First World War, boys
It came and it went
The reason for fighting
I never got straight
But I learned to accept it
Accept it with pride
For you don't count the dead
When God's on your side.
When the Second World War
Came to an end
We forgave the Germans
And we were friends
Though they murdered six million
In the ovens they fried
The Germans now too
Have God on their side.
I've learned to hate Russians
All through my whole life
If another war comes
It's them we must fight
To hate them and fear them
To run and to hide
And accept it all bravely
With God on my side.
But now we got weapons
Of the chemical dust
If fire them we're forced to
Then fire them we must
One push of the button
And a shot the world wide
And you never ask questions
When God's on your side.
In a many dark hour
I've been thinkin' about this
That Jesus Christ
Was betrayed by a kiss
But I can't think for you
You'll have to decide
Whether Judas Iscariot
Had God on his side.
So now as I'm leavin'
I'm weary as Hell
The confusion I'm feelin'
Ain't no tongue can tell
The words fill my head
And fall to the floor
If God's on our side
He'll stop the next war.
07 The Lonesome Death of Hattie Carroll (06:34)
William Zanzinger killed poor Hattie Carroll
With a cane that he twirled around his diamond ring finger
At a Baltimore hotel society gath'rin'.
And the cops were called in and his weapon took from him
As they rode him in custody down to the station
And booked William Zanzinger for first-degree murder.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.
William Zanzinger, who at twenty-four years
Owns a tobacco farm of six hundred acres
With rich wealthy parents who provide and protect him
And high office relations in the politics of Maryland,
Reacted to his deed with a shrug of his shoulders
And swear words and sneering, and his tongue it was snarling,
In a matter of minutes on bail was out walking.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.
Hattie Carroll was a maid of the kitchen.
She was fifty-one years old and gave birth to ten children
Who carried the dishes and took out the garbage
And never sat once at the head of the table
And didn't even talk to the people at the table
Who just cleaned up all the food from the table
And emptied the ashtrays on a whole other level,
Got killed by a blow, lay slain by a cane
That sailed through the air and came down through the room,
Doomed and determined to destroy all the gentle.
And she never done nothing to William Zanzinger.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.
In the courtroom of honor, the judge pounded his gavel
To show that all's equal and that the courts are on the level
And that the strings in the books ain't pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught 'em
And that the ladder of law has no top and no bottom,
Stared at the person who killed for no reason
Who just happened to be feelin' that way without warnin'.
And he spoke through his cloak, most deep and distinguished,
And handed out strongly, for penalty and repentance,
William Zanzinger with a six-month sentence.
Oh, but you who philosophize disgrace and criticize all fears,
Bury the rag deep in your face
For now's the time for your tears.
08 Masters of War (03:36)
Come, you masters of war
You that build the big guns
You that build the death planes
You that build all the bombs
You that hide behind walls
You that hide behind desks
I just-a want you to know
I can see through your masks
You that never done nothin'
But build to destroy
You play with my world
Like it's your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther when the fast bullets fly
Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water that runs down my drain
You fasten all the triggers
For the others to fire
Then you set back and watch
While the death count gets higher
You hide in your mansion
While young people's blood
Flows out of their bodies and is buried in the mud
You've thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatenin' my baby
Unborn and unnamed
You ain't worth the blood that runs in your veins
How much do I know
A-to talk out of turn?
You might say that I'm young
You might say I'm unlearned
But there's one thing I know
Though I'm younger than you
That even Jesus would never forgive what you do
Let me ask you one question
Is your money that good?
Will it buy you forgiveness?
Do you think that it could?
An' I think you will find
When your death takes its toll
All the money you made will never buy back your soul
An' I hope that you die
And your death will come soon
I'll follow your casket
On a pale afternoon
And I'll watch while you're lowered
Down to your death bed
And I'll stand over your grave till I'm sure that you're dead
09 Boots of Spanish Leather (05:41)
Oh, I'm sailin' away my own true love,
I'm a sailin' away in the morning.
Is there something I can send you from across the sea,
From the place that I'll be landing?
No, there's nothin' you can send me, my own true love,
There's nothin' I'm wishin' to be ownin'.
Just to carry yourself back to me unspoiled,
From across that lonesome ocean.
Ah, but I just thought you might want something fine
Made of silver or of golden,
Either from the mountains of Madrid
Or from the coasts of Barcelona.
If I had the stars from the darkest night
And the diamonds from the deepest ocean,
I'd forsake them all for your sweet kiss,
For that's all I'm wishin' to be ownin'.
I might be gone a long old time
And it's only that I'm askin',
Is there something I can send you to remember me by,
To make your time more easy passin'.
Oh, how can, how can you ask me again,
It only brings me sorrow.
The same thing I would want today,
I would want again tomorrow.
Oh, I got a letter on a lonesome day,
It was from her ship a-sailin',
Saying I don't know when I'll be comin' back again,
It depends on how I'm a-feelin'.
If you, my love, must think that-a-way,
I'm sure your mind is roamin'.
I'm sure your thoughts are not with me,
But with the country to where you're goin'.
So take heed, take heed of the western winds,
Take heed of the stormy weather.
And yes, there's something you can send back to me,
Spanish boots of Spanish leather.
13 Blowin' in the Wind (05:53)
How many roads must a man walk down,
Before you call him a man?
How many seas must the white dove sail,
Before she sleeps in the sand?
Yes'n how many times must the cannonballs fly,
Before they are forever banned?
The answer, my friend, is blowin' in the wind
The answer is blowin' in the wind
Yes'n how many years can a mountain exist,
Before it is washed to the sea?
Yes'n how many years can some people exist,
Before they're allowed to be free?
Yes'n how many times can a man turn his head,
And pretend that he just doesn't see?
The answer, my friend, is blowin' in the wind
The answer is blowin' in the wind.
Yes'n how many times must a man look up,
Before he can see the sky?
Yes'n how many ears must one man have,
Before he can hear people cry?
Yes'n how many deaths will it take till he knows
That too many people have died?
The answer, my friend, is blowin' in the wind
The answer is blowin' in the wind
14 Seven Curses (04:12)
Old Reilly stole a stallion
But they caught him and they brought him back
And they laid him down on the jailhouse ground
With an iron chain around his neck.
Old Reilly's daughter got a message
That her father was goin' to hang.
She rode by night and came by morning
With gold and silver in her hand.
When the judge he saw Reilly's daughter
His old eyes deepened in his head,
Sayin', "Gold will never free your father,
The price, my dear, is you instead."
"Oh I'm as good as dead," cried Reilly,
"It's only you that he does crave
And my skin will surely crawl if he touches you at all.
Get on your horse and ride away."
"Oh father you will surely die
If I don't take the chance to try
And pay the price and not take your advice.
For that reason I will have to stay."
The gallows shadows shook the evening,
In the night a hound dog bayed,
In the night the grounds were groanin',
In the night the price was paid.
The next mornin' she had awoken
To know that the judge had never spoken.
She saw that hangin' branch a-bendin',
She saw her father's body broken.
These be seven curses on a judge so cruel:
That one doctor will not save him,
That two healers will not heal him,
That three eyes will not see him.
That four ears will not hear him,
That five walls will not hide him,
That six diggers will not bury him
And that seven deaths shall never kill him.
16 The Times They Are A-Changin' (04:09)
Come gather around people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You'll be drenched to the bone.
If your time to you
Is worth savin'
Then you better start swimmin'
Or you'll sink like a stone
For the times they are a-changin'.
Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won't come again
And don't speak too soon
For the wheel's still in spin
And there's no tellin' who
That it's namin'.
For the loser now
Will be later to win
For the times they are a-changin'.
Come senators, congressmen
Please heed the call
Don't stand in the doorway
Don't block up the hall
For he that gets hurt
Will be he who has stalled,
The battle outside ragin'
Will soon shake your windows
And rattle your walls
For the times they are a-changin'.
Come mothers and fathers
Throughout the land
And don't criticize
What you can't understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly aging
Please get out of the new one
If you can't lend your hand
For the times they are a-changin'.
The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is
Rapidly fadin'.
And the first one now
Will later be last
For the times they are a-changin'.
18 A Hard Rain's A-Gonna Fall (07:58)
Oh, where have you been, my blue-eyed son?
And where have you been, my darling young one?
I've stumbled on the side of twelve misty mountains,
I've walked and I crawled on six crooked highways,
I've stepped in the middle of seven sad forests,
I've been out in front of a dozen dead oceans,
I've been ten thousand miles in the mouth of a graveyard,
And it's a hard, it's a hard, it's a hard, it's a hard,
It's a hard rain's a-gonna fall.
Oh, what did you see, my blue-eyed son?
And what did you see, my darling young one?
I saw a newborn baby with wild wolves all around it
I saw a highway of diamonds with nobody on it,
I saw a black branch with blood that kept drippin',
I saw a room full of men with their hammers a-bleedin',
I saw a white ladder all covered with water,
I saw ten thousand talkers whose tongues were all broken,
I saw guns and sharp swords in the hands of young children,
And it's a hard, it's a hard, it's a hard, and it's a hard,
It's a hard rain's a-gonna fall.
And what did you hear, my blue-eyed son?
And what did you hear, my darling young one?
I heard the sound of a thunder, it roared out a warnin',
I heard the roar of a wave that could drown the whole world,
I heard one hundred drummers whose hands were a-blazin',
I heard ten thousand whisperin' and nobody listenin',
I heard one person starve, I heard many people laughin',
I heard the song of a poet who died in the gutter,
I heard the sound of a clown who cried in the alley,
And it's a hard, it's a hard, it's a hard, it's a hard,
It's a hard rain's a-gonna fall.
Oh, what did you meet, my blue-eyed son?
And who did you meet, my darling young one?
I met a young child beside a dead pony,
I met a white man who walked a black dog,
I met a young woman whose body was burning,
I met a young girl, she gave me a rainbow,
I met one man who was wounded in love,
I met another man who was wounded in hatred,
And it's a hard, it's a hard, it's a hard, it's a hard,
It's a hard rain's a-gonna fall.
And, what'll you do now, my blue-eyed son?
And, what'll you do now, my darling young one?
I'm a-goin' back out 'fore the rain starts a-fallin',
I'll walk to the depths of the deepest dark forest,
Where the people are many and their hands are all empty,
Where the pellets of poison are flooding their waters,
Where the home in the valley meets the damp dirty prison,
And the executioner's face is always well hidden,
Where hunger is ugly, where the souls are forgotten,
Where black is the color, where none is the number,
And I'll tell it and speak it and think it and breathe it,
And reflect from the mountain so all souls can see it,
And I'll stand on the ocean until I start sinkin',
But I'll know my song well before I start singin',
And it's a hard, it's a hard, it's a hard, and it's a hard,
It's a hard rain's a-gonna fall.
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