Dopo i controversi fendenti metallici del discusso “Train of thought”, i cinque newyorchesi optano per riprendere sonorità canoniche, creando un lavoro più versatile, che rassicurerà certamente chi ha disprezzato le oscure divagazioni della precedente fatica dei Nostri.
L’album in questione, a differenza di altri lavori, non è articolato come un concept, salvo il ricorrere di alcuni motivi musicali: questa peculiarità, insieme alla scelta di valorizzare le singole canzoni invece della complessità dell’album lo accosta ad un capitolo come “Fallin’ Into Infinity”; la volontà di sfoltire alcune prolissità tipiche del gruppo offre un’impronta più diretta all’intero spettro dei brani, senza dimenticare le proprie derivazioni prog. Questo approccio si rivelerà, come vedremo, un’arma a doppio taglio per il complesso, che nelle più recenti pubblicazioni ha lasciato più spazio a labirintiche elucubrazioni strumentistiche piuttosto che all’idea-canzone.
L’apertura è affidata alla rovente “The root of all evil”, che già dalle prime battute segna l’eredità proveniente da brani come “The glass prison” o “This dying soul”, dei quali mantiene intatto lo scheletro, con la classica apertura imperniata su un cupo riff in crescendo che sfocia nella rabbia del cantato.
Il clima si stempera immediatamente con la soffice “The answer lies within”, che ricorda da vicino “Throught my words”, anch’essa essa sostenuta da poche note di piano e dalla calda voce di Labrie, anche se sotto la malinconia della superficie il pezzo sembra eccessivamente schematizzato e sostenuto da un’idea già sfruttata più volte dal gruppo. L’atmosfera si fa nuovamente incalzante con il terzo brano, “These walls”, che risente dell’influenza di band attuali, per ritornare leggera con “I walk beside you”, brano che a tutti gli effetti risulta un tributo agli U2, e a tratti ricorda una “Innocence faded” più commerciale, risultando tuttavia una parentesi gradevole in un album estremamente vario.
“Panick attack”, uno dei momenti migliori e certamente più aggressivi del disco palesa la continuità con il precedenti lavoro, con un’apertura da brivido ed una metrica rigida e potente; il pezzo si rivelerà il tema portante del lavoro, che riaccennerà più volte questo motivo in chiusura.
Poco efficace la successiva “Never enough”, fortemente debitrice dei Muse, soprattutto nel cantato, che mostra sì la versatilità dei Dream, ma mette in luce il loro persistente rifarsi agli schemi musicali delle band che hanno influenzato il loro sound. Un episodio privo di rilievo.
Se finora abbiamo ascoltato un album discreto quanto discontinuo, la chiusura si dimostra senz’altro convincente con i due assi finali: con “Sacrified Sons” la musicalità soffice accennata con le precedenti ballate trova una resa più convincente nella parte centrale del brano, che si riaccosta ai temi classici del gruppo, fatta eccezione per la conclusione, concepita in maniera sbrigativa. “Octavarium”, maestoso brano che dà il titolo al disco, è il pilastro dell’intera opera, una suite di ben venticinque minuti facilmente assimilabile ad un classico quali “Change of seasons”: dopo un incipit accostabile ai Pink Floyd, le note di piano accennate in chiusura a “The root of all evil” esplodono maestose per sfociare in una lunga introduzione acustica di matrice Genesis: la voce accompagna l’intero dipanarsi del brano sino all’esplodere dell’interminabile bridge centrale, che assume toni più aggressivi e ripercorre le strutture care ai Dream, fatte di lunghe escursioni strumentali, facendosi così perdonare dai fan per aver tradito le proprie origini con gli ultimi lavori. Questa monumentale idra strumentale, in bilico tra i Dream Theater più classici e riferimenti progressive anni Settanta, Yes e ELP su tutti, culmina in un’epica conclusione che riporta al motivo iniziale, in maniera prevedibile ma efficace. Date le premesse questo brano potrebbe qualificarsi come capolavoro, anche se sembra affermare la sempre viva predisposizione dei Dream Theater a comporre disinvoltamente opere sulla scia di “Metropolis”, rivelandosi invece meno incisivi al cospetto di brani più scarni, nei quali viene privilegiata la citazione esplicita di band quali Metallica, Muse e i già nominati U2.
Infatti brani riusciti come “These walls” o “Sacrified sons” difficilmente reggerebbero il paragone con altri come “Sorrounded” o “The silent man”, che, nella loro semplicità, si avvalgono di una freschezza compositiva spesso penalizzata negli ultimi lavoro del gruppo.
Se “Train of thought” nel suo azzardo si era dimostrato coerente, quest’ultimo album è invece poco lineare seppur dimostri una pregevole varietà. Può dunque essere considerato un lavoro credibile, con alcune cadute di tono ed altri momenti che spesso si tramutano nella fiera della citazione, ma anche con episodi di grande stile, come la già citata “Octavarium”.
Elenco tracce testi e video
01 The Root of All Evil (08:25)
Proud enough for you to call me arrogant
Greedy enough to be labeled a thief
Angry enough for me to go and hurt a man
Cruel enough for me to feel no grief
Never could have just a part of it
I always need more to get by
Getting right down to the heart of it
The root of all evil has been running my whole life
Dirty enough for me to lust
Leaving nothing left to trust
Jealous enough to still feel envious
Lazy enough to sleep all day
And let my life just waste away
Selfish enough to make you wait for me
Driven blindly by our sins
Misled so easily
Entirely ready to leave it behind
I'm begging to break free
Take all of me
The desires that keep burning deep inside
Cast them all away
And help to give me strength to face another day
I am ready
Help me be what I can be
03 These Walls (07:36)
This is so hard for me
To find the words to say
My thoughts are standing still
Captive inside of me
All emotions starts to hide
And nothing is getting through
Watch me
Fading
I'm losing
All my instincts
Falling into darkness
Tear down these walls for me
Stop me from going under
You are not the only one who knows
I'm holding back
It's not to late for me
To keep from sinking further
I'm trying to find my way out
Tear down these walls for me now
So much uncertainty
I don't like this feeling
I'm sinking like a stone
Each time I try to speak
There's a voice I'm hearing
And it changes everything
Watch me
Crawl from
The wreckage
Of my silence
Conversation
Failing
Tear down these walls for me
Stop me from going under
You are not the only one who knows
I'm holding back
It's not to late for me
To keep from sinking further
I'm trying to find my way out
Tear down these walls
Everytime you choose to turn away
Is it worth the price you pay
Is there someone who will wait for you
One more time
One more time
Watch me
Fading
I'm losing
All my instincts
Falling into darkness
Tear down these walls for me
Stop me from going under
You are not the only one who knows
I'm holding back
It's not to late for me
To keep from sinking further
I'm trying to find my way out
Tear down these walls for me now
Tear down these walls for me
It's not too late for me
Tear down these walls for me
04 I Walk Beside You (04:29)
There's a story in your eyes
I can see the hurt behind your smile
For every sign I recognize
Another one escapes me
Let me know what plagues your mind
Let me be the one to know you best
Be the one to hold you up
When you feel like you're sinking
Tell me once again
What's beneath the pain you're feeling
Don't abandon me
Or think you can't be saved
I walk beside you
Wherever you are
Whatever it takes
No matter how far
Through all the may come
And all that may go
I walk beside you
I walk beside you
Summon up your ghosts from me
Rest your tired thoughts upon my hands
Step inside this sacred place
When all your dreams seem broken
Resonate inside this temple
Let me be the one who understands
Be the one to carry you
When you can walk no further
Tell me once again
What's below the surface bleeding
If you've lost your way
I will take you in
I walk beside you
Wherever you are
Whatever it takes
No matter how far
Through all the may come
And all that may go
I walk beside you
I walk beside you
Oh when everything is wrong
Oh when hopelessness surrounds you
Oh the sun will rise again
The tide you swim against will carry you back home
So don't give up
Don't give in
I walk beside you
Wherever you are
Whatever it takes
No matter how far
Through all that may come
And all that may go
I walk beside you
I walk beside you
05 Panic Attack (08:13)
All wound up
On the edge
Terrified
Sleep disturbed
Restless mind
Petrified
Bouts of fear
Permeate
All I see
Heightening
Nervousness
Threatens me
I am paralyzed
So afraid to die
Caught off guard
Warning signs
Never show
Tension strikes
Choking me
Worries grow
Why do I feel so numb
Is it something to do with where I come from
Should this be fight or flight
I don't know why I'm constantly so uptight
Rapid heartbeat pounding through my chest
Agitated body in distress
I feel like I'm in danger
Daily life is strangled by my stress
A stifling surge
Shooting through all my veins
Extreme apprehension
Suddenly I'm insane
Lost all hope for redemption
A grave situation desperate at best
Why do I feel so numb
Is it something to do with where I come from
Should this be fight or flight
I don't know why I'm constantly reeling
Helpless hysteria
A false sense of urgency
Trapped in my phobia
Possessed by anxiety
Run
Try to hide
Overwhelmed by this complex delirium
Helpless hysteria
A false sense of urgency
Trapped in my phobia
Possessed by anxiety
Run
Try to hide
Overwhelmed by this complex delirium
06 Never Enough (06:46)
Cut myself open wide
Reach inside
Help yourself
To all I have to give
And then you help yourself again
And then complain that
You didn't like the way
I put the knife in wrong
You didn't like the way
My blood spilled on your brand new floor
What would you say
If I walked away
Would you appreciate
But then it'd be too late
Because I can only take so much of your ungrateful ways
Everything is never enough
Sacrifice my life
Neglect my kids and wife
All for you to be happy
All those sleepless nights
And countless fights to give you more
And then you say how dare that
I didn't write you back
I must be too good for you
I only care about myself
What would you say
If I walked away
Would you appreciate
But then it'd be too late
Because I can only take so much of your ungrateful ways
Everything is never enough
07 Sacrificed Sons (10:42)
''[Audio samples from 9/11]
This has all the appearances of an extraordinarily well-coordinated and devastating terrorist attack.
Terrorism against our nation will not stand. The government will hunt down those responsible.
Terrorism means striking terror in the hearts of people; that has been accomplished.
...looking in awe, amazement, shock, and grief and anger at what they were seeing in front of them.
There has just been a huge explosion. You can see, uh, a billowing smoke rising, there was a cascade of sparks and fire and we see this extraordinarily big, frightening scene behind us.
There is panic on the streets. There are people screaming and running.
Good Lord. There are no words.
...3000 Palestinians [unintelligible], chanting "God is good."
This is just a horrific scene and a horrific moment, but just look at that. That is about as frightening a scene as you will ever see.
But there are times in your life that are life changing, where your life can never be the same and this appears certainly to be one of them.''
Walls are closing
Anxiously
Channel surfing
Frantically
Burning City
Smoke and fire
Planes we're certain
Faith inspired
No clues
A complete suprise
Who'll be
Coming home tonight
Heads all turning
Towards the sky
Towers crumble
Heroes die
Who would wish this on
On our people
And proclaim
That His will be done
Scriptures they heed have misled them
All praise their Sacrifice Sons
Teach them
What to think and feel
Your ways
So enlightening
Words they preach
I can't relate
If God's true Love
Are acts of Hate
God on High
Our mistakes
Will mankind be extinct?
There's no time to waste
Who serves the truth
For Heavens' sake
08 Octavarium (24:00)
[I. Someone Like Him]
I never wanted to become someone like him so secure
Content to live each day just like the last
I was sure I knew that
This was not for me
And I wanted so much more
Far beyond what I could see
So I swore that I'd
Never be someone like him
So many years have passed
Since I proclaimed
My independence
My mission
My aim
And my vision
So secure
Content to live each day like it's my last
It's wonderful to know
That I could be
Something more than I dreamed
Far beyond what I could see
Still I swear that I'm
Missing out this time
As far as I could tell
There's nothing more I need
But still I ask myself
Could this be everything
Then all I swore
That I would never be was now
So suddenly
The only thing
I wanted
To become
To be someone just like him
[II. Medicate (Awakening)]
A Doctor sitting next to me
He asks me how I feel
Not sure I understand his questioning
He says I've been away a while
But thinks he has cured me
From a state of catatonic sleep
For 30 years
Where have I been
Eyes open
But not getting through to me
Medicate me
Infiltrate me
Side effects appear
As my conscience slips away
Medicate me
Science failing
Conscience fading fast
Can't you stop what's happening
A higher dosage he prescribes
But there's no guarantee
I feel it starting to take over me
I tell him not to be ashamed
There's no one who's to blame
A second shot
A brief awakening
I feel the relapse
Can't break free
Eyes open
But not getting through to me
[III. Full Circle]
Sailing on the seven seize the day tripper diem's ready
Jack the ripper owns Wilson Phillips and my supper's ready
Lucy in the sky with diamond dave's not here I come to save the
Day for nightmare cinema show me the way to get back home again
Running forward
Falling back
Spinning round and round
Looking outward
Reaching in
Scream without a sound
Leaning over
Crawling up
Stumbling all around
Losing my place
Only to find I've come full circle
Flying off the handle with careful with
That axe Eugene gene the dance machine
Messiah light my fire gabba gabba
Hey hey my my generation's home again
Running forward
Falling back
Spinning round and round
Looking outward
Reaching in
Scream without a sound
Leaning over
Crawling up
Stumbling all around
Losing my place
Only to find I've come full circle
[IV. Intervals]
[First]
Our deadly sins feel his mortal wrath
Remove all obstacles from our path
[Second]
Asking questions
Search for clues
The answer's been right in front of you
[Third]
Try to break through
Long to connect
Fall on deaf ears and fails muted breath
[Fourth]
Loyalty, trust, faith and desire
Carries love through each darkest fire
[Fifth]
Tortured Instanity
A smothering hell
Try to escape but no avail
[Sixth]
The calls of admirers
Who claim they adore
Drain all your lifeblood while begging for more
[Seventh]
Innocent victims of merciless crimes
Fall prey to some madmen's impulsive designs
[Eighth]
Step after step
We try controlling our fate
When we finally start living it has become too late
Trapped inside this Octavarium
Trapped inside this Octavarium
Trapped inside this Octavarium
Trapped inside this Octavarium
Carico i commenti... con calma
Altre recensioni
Di Stratocontact
Questo album si configura in modo differente dai precedenti, con sonorità meno ricercate e canzoni che colpiscono in modo più immediato l'orecchio.
Dopo 75 minuti di ascolto posso affermare con certezza che i Dream Theater hanno raggiunto il loro scopo, mantenendo alta la qualità del prodotto.
Di Lordsandreik
I Dream diciamocelo chiaramente NON sono più la ultra-tech metal-prog-band come volevano sembrare ai tempi di Images and Words.
Forse i Dream dopo aver raggiunto un buon valore a livello mondiale vogliono rilassarsi e godersi fama e soldini, ma non è così che si fa il prog.
Di AndJusticeForAll
Gli assoli e la tastiera lo sono, ma mancano i cambi di ritmo caratteristici del genere.
"Panic Attack" è letteralmente un capolavoro, la canzone che vale il disco.
Di Vinpe75
È il trasporto interiore dell’anima si fece musica…
Il prog dei DT è tornato ascoltare per credere.
Di Metropolis79
I DT così "dimostrano di non dover dimostrare" più ad alcuno la loro valenza tecnica.
Una canzone per essere prog non deve essere una mitraglietta di assoli e cambi tempo, ma deve racchiudere schemi compositivi insoliti e sperimentazioni sempre nuovi.